#your a genius

[nonuify]

HI I love your writing I was wondering if I could request a readerxmingyu in which mingyu is friends with someone reader dislikes and they have an argument and reader gives mingyu the silent treatment ?and can it end with smut please? and thank you

oooo this is saurrr good I love the idea smmm trust it will be in the works ml dw 🫶🏻🫶🏻!! we love make up sex we do 💯💯

[nova-rpv]

death leech shadoo.....

design by @galaxylover06

[chemicalarospec]

I love how Phil is the passenger princess in everything in their relationship, except dnp's finances, which he completely controls. Capital £ester knows one thing and one thing only: the bank.

[poorly-drawn-mdzs]

How much longer 'til your luck runs out?

[First] Prev <–-> Next

[fincherly]

my gf was looking through wesker's wiki page (as you do) and sent me this

and i lost my shit bc it just seems like they're looking at him like girls look at a weird bug

[agflashgamesenjoyer]

"babbity kate made a samantha video" "savywritesbooks made an american girl video" cool! unfortunately i have been unable to watch any of them due to debilitating This

[spoons-posts]

Woah, this is so cool. Totally awesome theory! It would be very cool to see Bendy create a friendly humanoid shadow in the future like Porter!

I just had a theory about the larger shadow that disfigures when Bendy tried to make it into a human shape being related to the lost ones in Bendy and The Ink Machine and now I can’t look at it any other way.

It could even explain why they have emotions when other demon’s shadows don’t because there is definitely some kind of connection with Bendy and the actual ink machine in The Inky Mystery.

On the Bendy wiki it describes the lost ones like this:

‘The Lost Ones have a similar appearance to humans, only deformed, skeletal, and slimy. They are composed completely out of ink, with skin texture similar to black tar’

This could a reference to how the shadow disfigures and is made of shadows in The Ink Mystery. Additionally:

‘Their original personalities remain almost untouched, but they appear to be suffering in a state of despair; most will stand in complete stillness, some either hunched over and crying or, in one case seen in some occasions, banging their head against the wall in a suicidal manner. If provoked, the Lost Ones act as a threat towards anyone they deem dangerous’

This could explain the feeling of dread Bendy felt and the way the shadow acts a few moments later when it tries to attack him and Allison.

However it could also be a reference to the searchers in Bendy and The Ink Machine because of this:

I mean look at them:

There are a few dissimilar things between the two like only having three fingers and the arms being the same length but it’s also show in BATIM that the searchers and the lost ones have a lot of variation in their appearances so that’s not enough to discredit this theory.

If you listen to the sound the searchers make it’s very similar to what is described in the scene

And the way that the shadow attacks is similar to how the searchers attack in BATIM (with their arms).

(Sorry if it’s hard to see it’s was difficult finding videos of them actually attacking.)

Also! This could explain why Baby (the smaller shadow) is so helpful to Bendy because some Lost Ones are friendly (as described by the wiki):

‘there have been a few notable exceptions such as Porter and Heidi who aren't aggressive towards Audrey Drew and actually help her out.’

I came up with theory this like 10 minutes ago and I’m already in love with it

[satoruxx]

stubble toji but u squeal when he eats u out

had to take a minute to breath nonnie bc oh my god

stubble toji is insufferable with it too, because he knows how you normally react when he's pressing the rough texture of his jaw against your skin. god knows he'll take advantage of it in every possible situation.

taunts like crazy, saying things like "what's wrong, doll? still hate the feelin'?” even as his hands grip your thighs and spread them apart. you scoff, cheeks practically on fire as you look down at his smug grin.

"quit teasing, toji."

he just chuckles throatily, chin brushing over the skin of your inner thigh just barely, and he mentally notes the way you shiver at the feeling.

toji already drives himself crazy when he eats you out, mostly because the choked moans and whines that he can pull from you with a skillful flick of his tongue has his pride singing.

but when you squeal in between your gasps, caught off guard by the rough sensation in between his licks—that is a different high all together.

he groans against your skin when you do, stubble pressing deep against it as he suckles at your clit eagerly.

the sound, quite literally, goes straight to your core.

“ah fuck baby, that’s it,” he grunts, fingers tightening around your thighs in a way you know will leave marks. he deliberately presses his jaw into you when he can, eyes hooded as he hears the sound it pulls from you. “feel good, huh?”

“uh huh—” you nod eagerly, unable to stop your hips from bucking into his tongue as he teases your clit and laps up your juices. “so good.”

an evil smirk as he pulls back, chin glistening and eyes satisfied. “thought you always whine about how my stubble is too scratchy.”

“it is,” you huff—adamant. “you’re always tormenting me with it.”

“don’t hear you complaining now,” he murmurs—smug. his lips find your clit again, sucking and licking until your vision goes hazy. “still want me to shave?”

you’ve never said no quicker in your life.

[anyataylorjoys]

SMILE 2 (2024) dir. Parker Finn

[sharkylad]

Thinking about the fact that Mabel and Dipper didn't know they had two great uncles.

Yeah they are 12 and at 12 I had a shotty understanding of my family tree- But really? Nobody brought up their great uncle? Stanley? Especially since they'll be staying with his twin brother, Stanford?

Shermie never went to Stan's fake funeral, which to me means the twos relationship was strained on some level. If Shermie is older that means his view of Stan was poisoned in some way, that even as kids they weren't close. If the Shermie is younger then he never even got to meet Stan and all he knew about him was how he failed his family. Hell, people probably barely mentioned Stanley TO Shermie.

The fact that Stan had become a black stain upon the Pines family name makes me so vividly upset. Stanley faked his death and the family just- seemingly decided to strike him from the record. To pretend he didn't existed to spare themselves the sadness and shame.

Stanford and Shermie Pines. The only children worth mentioning of Filbrick and Caryn Pines.

It was never Stanford that was lost to the world. It was Stanley, ever since he had to leave New Jersy- it was always him that had to be struck from the record. Change his name, change his state, change his affiliations, destroy the remains of ghost that was Stanley Pines. Kill him so the family doesn't bring him up, doesn't ask questions, stops asking "Stanford" about his twin.

I just keep thinking about the fact that since the day he made one single mistake all the way up until Ford walks out of that machine- Stanley Pines was killed and did not exist. And Stan himself had no one to blame, he had to play the part in his own demise- He is the only one who ever knew Stanley was alive and has been for decades.

He lives in the multitudes of every personality he's ever taken, all in the hope that he himself can stop being Stanley Pines.

[finnprof]

medic tf2 as bayonetta

medinetta........................

also obligatory heavymedic (noooo heavy watch out :c)

burly beast meets bayonetta or something~

idk hope that's to your liking! not gonna lie this lowkey pulled me out of an artblock so thanks a bunch for this request!!

[sparkles-rule-4eva]

Tails talking in science-y language, being met with a blank stare or something of the like by Sonic, then sheepishly rephrasing it for him is something that'll never get old 😂

It's even funnier when you remember that technically the Tornado belongs to Sonic, and yet Tails knows it better 🤣

And it's been going on since the ole days

[floofeeeeee]

Ahhhh… yeah Im Going to add that to my drawing real quick

biana vacker lip ring

[eveningdawn222]

people who act like batman isn't "judge jury and executioner" because he doesn't kill people are like. genuinely so funny to me because. they're very obviously thinking of "executioner" as like. the stereotypical guy with axe who chops people heads off, and not, yknow, the literal definition of the idiom itself, which is about someone who has the ability to judge and then subsequently punish someone unilaterally. which is quite literally what batman does.

he has the ability to decide what is a "crime" to him, he is the one who decides whether people are guilty of those crimes, and he is the one who executes their punishment. the severity of the punishment doesn't matter - he is unaccountable to anyone else, and indeed is allowed to commit as many crimes as needed to reach his arbitrary ideal of "justice."

the ideal of batman is this: a man who is so fundamentally changed by an act of senseless violence that he takes it upon himself to fight back against the rot and corruption in the world. he does this not through political activism, not through ridding himself of his wealth in favor of a greater good, not through community outreach, but through an individualistic fantasy of being a hero.

and you'll say: charlie, but he does do that !!! he donates his money all the time, he funds social programs, hospitals, orphanages, gets people jobs -

and i will say this: so why don't things get better?

because here's the base of it. gotham, at its core, can't get better. no matter what bruce wayne does, there will always be more crime, more villains, more death, more people for batman to beat up in back alleys. because that's what sells.

reoffending rates don't matter in gotham, prison reform doesn't matter in gotham, what actually causes crime doesn't matter in gotham because that doesn't sell books.

and so here it is; dc has unintentionally created a world where batman can't win, but can't be wrong, and where thousands of nameless, faceless, only-created-to-die civilians must be pushed into the meat grinder that is gotham, to fuel bruce wayne's angst and vindicate his constant, tireless, noble fight against the forces of evil.

and then: a new robin, who is poor and who's parents are dead or gone because of this cycle; who is happy go-lucky and hated by editors and fans for being robin, for not being dick grayson, for being poor.

and this robin is written, unintentionally or not, to be angry at the ways in which batman's (the narrative's) idea of justice is detached from its victims. bruce seems perfectly fine to allow countless unnamed women to be at risk from garzonas in his home country, yet robin is the one who is portrayed as irrational and violent.

this robin is not detached from gotham in the way bruce wayne is: this robin is a product of gotham.

(and here's the thing. you can't punch aids. you can't fight a disease with colorful fights and nifty gadgets. and how would robin dying from aids add to batman's story; it would call into question the systemic changes that haven't been made in gotham. how does a child get aids, in batman's city?)

so robin dies, and then bruce (the narrative) spends the next couple of decades blaming it on him. it is jason's fault; he was reckless, he just ran in, he thought it was all a game. if only bruce had seen what was coming, if only he could have known that jason wasn't rich enough or smart enough or liked enough to be robin.

batman gets a little more violent, a little more self destructive. he hurts people more and almost (!!) kills a couple guys. this is bad because it's self destructive and "not who he is." it is not bad because batman should not be able to just beat people up when he's angry.

and then he gets a shiny new robin - who is all the things jason "wasn't": rich and smart and rational and he doesn't put who batman is into question. batman and robin are partners, and jason is a grave and a cautionary tale, and (crucially here) never right.

the joker kills thousands and it doesn't matter because they were written to be killed.

batman beats up thousands and it doesn't matter because they were written to be criminals.

and then jason comes back, and nothing has changed. there is a batman and a (shiny! rich!) robin and the joker kills thousands. (because it sells)

and jason is angry - he has been left unavenged - his death has meant nothing, just as willis' had, just as catherine's had, just as gloria's had, just as -

thousands. ten of thousands. hundreds of thousands. written to be killed.

but one of them gets to come back.

and he is angry - not only at the joker, but at bruce (the narrative) - because why is the joker still alive (when thousands-)

here is the thing - jason todd is right. not because the death penalty is good, not because criminals deserve to die, not because of everything he says -

but because of what he calls into question. why is the joker alive?

because he sells books.

and dc has written a masterful character, through no fault of their own, because jason knows what is wrong, and he knows who is at fault - batman. (the narrative)

so the argument that bruce can't kill because he's not judge jury and executioner; the argument that jason is a cop or that jason is insane or that jason is in the wrong here; they hold no weight.

batman can't kill the joker because the joker sells comic books.

and jason can't kill the joker because the joker sells comic books.

so he will beg and plead and grovel - he will betray everything that is himself, he will forsake his family and his city and kill himself - just so that bruce (the narrative) will let the joker die.

he was condemned to death by an audience, and after he came back he has spent his whole life looking us in the eyes and screaming, asking, pleading; why is the joker still alive?

why are thousands, tens of thousands, hundreds of thousands (the number doesn't matter, see, because they're just a number. not people. not real.) why are we expendable for his story? why did i have to die just for nothing to change?

and the answer is money. and the answer is the batman can never be wrong. and the answer is shitty writing. and the answer is -

nothing jason can ever change.

which is the worst of it all. he is a victim with no power, and no one else in the world can see it. he is raging and crying and screaming at his father and his writers and you - and it doesn't matter. jason doesn't matter. and he knows it.

[eiraeths]

gaz: is tav okay?

ghost: he’s calmed down

gaz: really? usually takes longer

ghost: put on his favorite youtube series

soap: [watching metal mailboxes being stripped and cleaned with muriatic acid]

[knivesandteeth]

Do you ever think about how Bashir saw every example of his exceptionalism as a reminder that his bodily autonomy was violated and his mind altered against his will, unable to truly excel if he wanted as this could be used against him but also constantly pressured by his parents and himself Be The Best™ or else what was it all for?

Do you ever think how this dynamic relates to him being an Arab man and how many POC have to work twice as hard to be recognised and still have their achievements devalued in the fragile face of white supremacy?

Do you think about how the ultimate fear of genetic augmentation is eugenics and the elimination of traits seen as undesirable under neurotypical str8 white supremacy? And the view of those who are unaltered as lower? And yet Bashir, a goofy, twinky, Autistic MOC who shows these traits very clearly, is seen as one of the only functional, successful augments? How instead of cold, inhuman amorality associated with augments (as Garak accuses him of) Bashir's morality is so so human - every line he skirts and boundary he crosses a desperate attempt to save lives and connect with other people? How he views himself as lower than everyone because of these augmentations and views any accolades as bittersweet, a reminder of the boy Jules who he feels he murdered to live?

Do you ever think about how Bashir constantly lives with the blinding, consuming fire of Kahn noonien-singh above him, unaware he is the gentle shadow at his feet?

Do you ever think about the emotional rollercoaster of Julian Bashir and want to give him a hug?

Or do you only think of yourself?